Member Spotlight: Aaron Kelly

Can you please introduce yourself and tell us about your photo journey? 

My name is Aaron Kelly, a designer and photographer based in NYC. Originally from San Diego, I’ve lived in Brooklyn off and on since 2010 (cumulatively for 8 years). I turned my love of drawing into a career in design over 20 years ago, which provided me with expertise in layout, color theory and a sense of composition that I leverage when I’m behind a camera. My photographs document life in urban environments, with a focus on how humans are impacted by architectural elements.

What initially drew you to photography, and how has your styles evolved over time?

In 2015, a colleague sent me a link of black and white 35mm photos, and I was mesmerized. The timing was right; I was working abroad in search of a hobby that supported my desire to explore. I found an affordable Contax TVSIII and brought it with me everywhere, initially shooting like a tourist. It wasn’t until a deeper point of reflection in 2020 that I leaned into it and looked for opportunities to improve my technique. My style still favors black and white film—I’m drawn to the timeless, dream-like quality that it adds to everyday moments.

How do you stay inspired and creative in your photography. Especially during times of creative blocks or challenges?

As the late, great Joe Strummer stated: “No input, no output.” Monthly CMC critiques and group outings are always inspiring and educational. Every member brings something unique to the table, not only in approach but also output. Peer feedback is also invaluable for improving a concept. When I’m feeling stuck, I go to museums and photo exhibitions, but the best medicine is always a walk in Manhattan. Pick a destination, and wander until inspiration strikes.

Can you share a project or series that you feel particularly proud of, and share 3-5 images from that series?

My series are compiled of patterns that emerge from my film rolls over a period of time. I’m currently working on a project that showcases people unaware of the scale of the environment around them, which can create some magical moments. My goal is to refine it further and improve the way I’m representing people in the moment.